Just elususe tunne – hetkeline ja kordumatu olemus – eristab voogteatrit salvestatud ja hiljem taasesitatavatest vormidest.
Voogteater Eestis pälvis Eestis rohkem tuntust COVID-19 pandeemiast tõukununa, kuid tegelikult on taolise teatrivormiga katsetatud juba viimased 20 aastat.
White argues that, at the time of writing, “fashions for ‘immersive’ theatre and ‘one-to-one’ theatre are in the ascendent” and I build on this to apply his theoretical framework to emerging forms of digitally mediated theatre, many of which operate on similar principles.
Petchers gets at a commonality among those who are performing or creating for the virtual theater audience: Every choice must be catered to the specificities of the form. That means, as much as possible, leaning into rather than away from its confines.
